Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Saturday, March 31, 2012

Two New Leptoceratopsids Push the Boundaries of Artistic Inferrence


Have you heard? Two new basal neoceratopsids were discovered in Canada. Their names? Unescoceratops koppelhusae and Grphyoceratops morrisonii. They’re leptoceratopsids, a somewhat hazy-but-currently-monophyletic group of small-bodied, small-frill horned dinosaurs from (mostly) North America. Unescoceratops was named based on a fragment of the left mandible. Originally regaled into the genus Leptoceratops, Michael Ryan realized it was unique. Gryphoceratops is known from a piece of lower right mandible. Among its interesting features is size: an adult would not have grown two feet long, making it one of the smallest—if not the smallest—adult dinosaur known.

This is all well and good. It increases the diversity of the group and gives us information about the initial dispersal into North America. It’s also nice to find small dinosaurs, period: fossils of anything smaller than, say, a troodontid, is pretty hard to come by. Tiny things just don’t fossilize very well. Here are the mandibular fragments from both taxa!



Wow, there's just not a whole lot there, but it hasn't stopped Julius Csotonyi from painting that beautiful life reconstruction of both animals (above)!

Gorgeous thought it might be (and it is), one wonders what the utility of such a painting is, given that these two animals are known from...say it with me...fragments of the mandible in both cases. This painting is begging to be invalidated down the road. Oh, sure, phylogenetic inference can tell you something about the general form of these animals, but nothing specific: there's considerable morphological distance between, say, Udanoceratops and Cerasinops. It's a beautiful picture, but I have a hard time with the idea of painting an entire animal based on the most fragmentary of material.

Friday, February 24, 2012

Random Alvarezsaur

Trying to get back into the drawing habit. This was the result. Maybe it's Linhenykus? It's not clear. He's cute though, right?

Monday, August 22, 2011

Progress Report, and Art!


Look, kids! I'm not dead!

I got my third IV out on the 1st, started back on my normal med routine, and BAM, two weeks later and I'm already developing symptoms associated with another lung infection. I'm going into the doctor tomorrow. Hopefully it'll be nothing but a cold, but I just never know anymore. Follow me on Twitter (@zmiller1902) for updates.

But now is not the time for worry--now is the time for showing off horrible sketches! I'm again working on my "Life on Leather Wings" story. I've got a lot of the storyline worked out and the three main characters well-defined. This is a prelim sketch of one of them--Angol Fear (name taken shamelessly from the Soul Calibur IV character), one of Heaven's Vanguard. She and her squad of Angels is in charge of hunting and killing soul-harvesting Succubi. She is young and brash, but determined and gets the job done. She and Lily have a tenuous truce: Angol won't go after Lily as long as Lily continues harvesting souls that are already Inferno-bound. But the second Lily goes over that line, Angol's coming after her.

I'm having a difficult time imagining the armor for Heaven's Vanguard and Angol in particular. I want it to be imposing but breathable. I don't want Angol to have a helmet, either. But her silhouette is different from Lily (or Gwendolyn): Angol's widest point is just below hips, at the top of her thighs. She has short blonde hair and, of course, those big Angel wings. This is the only drawing I've done in the last month that I've considered good enough to keep, but I'm glad I'm getting back in the groove, slow though it may be.

Ignore the "LeBouf" scribble. I forgot to erase it, and I was trying to figure out if The Beef's name really meant "the beef." Turns out it doesn't--what a shame!

Now then. To lunch!

Monday, April 11, 2011

Velafrons coahuilensis & IV Status


My wife didn't make a color copy of this, but here it is! I draw this for a friend. It was between Velafrons and Coahuiluaceratops and the decision was made by asking her whether she liked Duckie or Sara more in "Land Before Time." I'm also starting a new paleo-artist internet meme:

"No Greg Paul skeletals were referenced for the production of this illustration."

Also, I had the I.V. taken out today. Only two weeks! I'm back to full power. I'll post a picture of my mangled arm later. It's actually not mangled at all. There's a large scab over the hole in my arm and that's about it. Whatever. Velafrons!

Saturday, March 19, 2011

Ooh! Piece o' Arty


Here's an unusually short-bodied ornithomimosaur that I drew last night while Scott, Raven, and I all lambasted a certain egomaniacal paleoartist and had a good laugh while doing so.

Saturday, March 05, 2011

Sketches & Scribbles


Scott sat me down and demanded that I draw something last night, so I did. And I came up with some pretty nice stuff. Above is a cute lil' diplodocid. It might not be the most accurate dinosaur, but that wasn't the point. I was just trying to give the animal some character.


And here's a cute little stegosaur, with massive parascapular spines. Maybe it's Gigantspinosaurus (awful name). I really like this drawing, especially the legs. Notice that the hands are like a sauropod--a new paper by Phil Senter suggests that stegosaurs and ankylosaurs had tubular feets.


And here's another version of Cthulhu. I'll get there eventually. I gave it too many appendages here.

I'm gonna keep up with this cartoony dinosaur thing. I like 'em.

Friday, February 25, 2011

Gettin' Better (IMHO)


This is a quick sketch I did (then added "flair" with a red pen) for my friend Dan Hill in early January (?) as something to remember Alaska by before he moved to Florida. You may remember Dan by his alter-ego, The Penetrator, a superhero who gives crime the shaft. We'll all miss him--Dan was a genuinely nice, smart guy and NONE of us blame him for leaving this cold, dark icebox of a state. Good luck down there, Dan! Try not to get eaten by an alligator.

Now then. My boy forgot to take this picture with him which is...hmmm. Marcus kept it all this time, though, so when I remembered drawing it, I wanted to scan it and post it here. There are some things I like about the picture, and others not so much. Time for some good old fashioned naval-gazing!

Things to Like

First of all, for a sketch that I only spent maybe 45 minutes on, this ain't half bad considering my usual output. I like the costume change. I've struggled to figure out what this girl's gonna wear on her upper body that will accomodate her big ol' bat wings. This is one possibility: it's basically a bikini with a skirt. For added support, one could envision Lily modifying the costume to include an elastic strap that originates at the back of the neck loop and clips onto her skirt. This would help hold the top...up? I'm still worried about her costume. Anyway. I like the face, but not necessarily the hairstyle. I like that I forced myself to draw Lily with smaller breasts. As you may recall, Lily was originally based on Shannon Stewart's Playboy centerfold (that's not a link to the centerfold). This is not to say that Mrs. Stewart has giant breasts or anything, but I don't think this particular picture would have benefitted from oversized mammaries.

I like the little accessories I used to spice up the piece: the bracelets and shoes, the modified belt. I can see all of these things becoming permanent additions to Lily's evolving uniform. The wings are alright too--not too big to dominate the picture, but not small enough to not be believable. I think I struck a good balance. They're certainly smaller than in the original treatment.

What's Not to Like

Most egregiously, Lily has here been Bruce Timm-ified. I have incredible respect for Bruce Timm and I wish I could draw like him, but this is not really what Lily's supposed to look like. Lily is more toward the Frank Cho end of the picture plane. I feel like I copped out here, but this is the art style I "default" to when I feel like I'm in a time crunch. As for the piece itself, the hair is pretty terrible and doesn't do her forehead any favors. The left art curves too much towards the waist. One of the goals for this character is that she uses her wings like you'd use your arms, so she can be holding something with her arms and gesture with her wings. This pose is supposed to be something like "Hey! Look at me!" Unfortunately, her posture and facial expression contradict that enthusiasm.

But again, for 45 minutes without a reference? Could be a lot worse. I'm currently digging J. Scott Campbell's art, so you might see some crude attempts to ape his style in the coming days...involving dinosaurs. Dinosaurs! Yeah, that's what this blog's supposed to be about, right?

Tuesday, January 18, 2011

A Severe Lack of Focus


Winter gets tougher for me every year we live up here. While my mother and wife suffer from varying degrees of SAD (seasonal affective disorder), I just flat become inspired, unable to find the time or effort to passionately engage in just about anything. My paleo research has flatlined--I can't be bothered to keep up on the literature like I know I should. My art has suffered tremendously due to just not practicing (I drew a fairly disgusting little Eodromaeus yesterday; it is not fit for print), and I can't even decide what video game I want to play. Almost nothing is drawing me in.

Two weekends ago, I did become mildly obsessed with a new puzzle (1000 pieces) and completed the whole thing in a big block of time on Sunday, but that was clearly a fluke. The wife is out right now with a friend, and I could be gaming it up or drawing to my heart's content, but neither prospect tickles my fancy. Add to this bout of vapidity an increasingly-stressful job and a longer med routine, and the season's really starting to wear on me.

Hopefully it's just a phase. But it does explain why I've been quiet lately. I leave you with a newish hobby of mine: using Perler beads to create old NES character sprites. From left to right, we have Mario, a Parakoopa, and Mega Man.

Saturday, December 18, 2010

Art on Vacation

You readers might have picked up on this since I haven't been posting lately, but since I started my new job, I've become creatively bankrupt, and I'm really not sure why. I haven't been motivated to sit down and freaking draw something. Well, I'm finally easing back into the art groove here in Hawaii. Have I become inspired? No, not really. I think I just needed a vacation. Here are the two pictures I've drawn down here that I'm actually happy with--a first in several months.


This started out as an attempt to draw Lily (from "Life on Leather Wings") but I decided not to force it and just draw a pretty girl. The entire thing is from a reference photo of Polish model Ewa Sonnet (so sue me), but the face and clothes are my own design. I think it came out well, and it's shown me the value of drawing directly from reference photos (GO FIGURE).


By contrast, I did NOT use a reference photo for this girl. Now, this IS for "Life on Leather Wings." This certainly isn't a final design--I was just messing with armor at this point, but this drawing will serve as the foundation for the Paradiso counterpart of the succubi. These angels head down to the Earthrealm and hunt down incubi and succubi. The plan is to have most of these soldiers (they don't have names yet) ignore Lily, since she goes after already-corrupted prey, but one female soldier has some kind of personal vendetta that I haven't figure out yet against Lily and she'll be one of the core villains in the story.



Here's a better picture. Things I like: the earings (perhaps they denote rank?), the tattoo on the forehead (it's a placeholder design), guantlets, and the spaulders. The breastplate and multiple straps will probably go. By the way, these are photographs because I'm in HAWAII and don't have a scanner.

Sunday, October 24, 2010

Xenopermian Hovasaur


You'll get more on the Xenopermian soon, but I wanted to throw this up to prove it's not dead. This is a derived hovasaur that doesn't have a name yet. I'll admit that the dorsal sails are inspired by Concavenator, but I think they work just fine here. This guy was actually pretty tough to get right--when you evolve a hovasaur, it starts looking like a mosasaur, so the challenge was to come up with something that was still feasible but different than, say, Platecarpus. I think I've done that here, although it still requires tweaking. I'm working on a skeletal now, and it's coming along pretty well.
Other Xenopermian critters on my backlog: More barbouronopsids, mainly, but also more work on the dicynodonts and a few other surprises.

Tuesday, August 24, 2010

Torosaurus latus is not Triceratops sp.

Earlier this year, Scannella & Horner hypothesized that skulls attributed to the large chamosaurine Torosaurus latus represented a “fully adult” ontogenetic stage of Triceratops, thus invalidating Marsh’s pierced lizard as a distinct taxon. This theory was based in part on a growth series for Triceratops published by Horner & Goodwin in 2006. In neither paper do the authors consider Triceratops at the species level. Prior to 1996, as many as sixteen separate species of Triceratops had been considered valid, but in that year Catherine Forster published a revision of the genus which greatly reduced that number to just two: Triceratops horridus and Triceratops prorsus. Actually, in 1986, Ostrom & Wellnhofer went as far as suggesting that only Triceratops horridus is the only valid species. Neither Scannella & Horner nor Horner & Goodwin address the issue of species-level ontogenetic change in Triceratops. Is the Horner & Goodwin growth series for T. horridus or T. prorsus? Is Torosaurus latus the “fully adult” form of T. horridus, T. prorsus, or both? While not stated outright, the Horner & Goodwin growth series implies that features used by Forster to distinguish T. prorsus from T. horridus may simply be ontogenetic markers, including size and shape of epioccipitals, size and shape of the nasal horn, and curvature of the postorbital horns. Certain abstracts that I’ve read but don’t know if I can actually divulge have suggested stratigraphic or anagenetic reasons for the changes between Triceratops species.

In Scannella & Horner’s “Toroceratops” hypothesis, the authors suggest that, very late in life, Triceratops goes through radical morphological change: the length and shape of the frill increases, and the parietal becomes rapidly fenestrated as bone is reabsorbed on either side of the parietal bar. The authors point to a number of Triceratops skulls with extremely thin areas of the parietal where fenestrae would be expected to appear. However, none of the specimens investigated by the authors have even incipient parietal perforations (except Nedoceratops, but we’ll get into that in a minute). All investigated Triceratops skulls retain a solid frill. That is, the authors cannot point to any Triceratops skulls that would form a transition between the "no fenestrae" condition and the "big fenestrae" condition of Torosaurus. With the often-stated abundance of Triceratops material, I believe this is an important consideration.

According to the Horner & Goodwin growth series for Triceratops, specimen MOR 004 is regarded as an “adult” form. It has thick, forwardly-curved postorbital horns; elongate, highly reabsorbed epiparietals; a large, thick, forwardly-directed nasal horn; and a relatively short, deep rostrum below and anterior to the nasal horn. If MOR 004 is the model adult form of Triceratops, then no currently recognized specimen of Torosaurus latus conforms to the Horner & Goodwin growth series. All currently recognized specimens of Torosaurus latus (ANSP 15192, MOR 1122, YPM 1830, and YPM 1831) have short, upwardly-directed nasal horns with an elongate, shallow rostrum anterior to the nasal horn. Additionally, the snout has a distinctive “stepped-up” morphology wherein the dorsal margin of the rostrum anterior to the nasal horn is lower than the dorsal margin of the rostrum behind the nasal horn. This feature is similar to the “large juvenile” and “subadult” examples of Triceratops in Horner & Goodwin’s growth series. However, even those Triceratops specimens lack the elongate, shallow rostrum anterior to the nasal horn.



Diagonally from top to bottom, the proposed Horner & Goodwin growth series for Triceratops showing overall trends in morphology. To the lower left, Torosaurus latus.

The overall shape of the frill is quite distinct in both taxa. In MOR 004, the frill more or less frames the rest of the skull in anterior view: the parietal bar forms the apex of the frill, and the left and right halves of the frill slope down and out from there. This is especially obvious in two other specimens of Triceratops: YPM 1822 (Forster 1996) and YUM 1822 (Hatcher 1903). In lateral view, the frill attains a distinctive upward curve. Additionally, the squamosals of Triceratops are D-shaped, or perhaps axeblade-shaped. In many individuals, the squamosal-parietal suture is not visible for most of its posterior length. In contrast, Torosaurus’ frill is broad and largely flat, and does not frame the face in anterior view. Rather, it grows away from the rest of the skull and does not retain a distinct upward curve. Additionally, the squamosals in all recognized specimens of Torosaurus have a distinct shape reminiscent of a chef’s onion or paring knife, and the suture between the parietal and the squamosals is surprisingly clear along its entire length.



The largely complete frill of Torosaurus latus, after Hatcher 1903.

According to Scannella & Horner, the underlying geometry of the frill of MOR 004 would have been significantly altered—and quickly—to produce a frill attributable to Torosaurus latus. This sort of morphological change is wholly unknown in other ceratopsians where juveniles are known. In centrosaurines, for instance, the adult frill is, by and large, simply a larger version of the juvenile skull with the addition of unique spikes on the parietal margin or parietal bar (Pachyrhinosaurus lakusai and Centrosaurus apertus is particularly illustrative of this). In addition, the morphology of the snout and nasal horn would essentially reverse from the adult condition to a subadult form. These sorts of radical morphological changes have no basis in close relatives of “Toroceratops.”

Because all of the known specimens of Torosaurus latus share certain morphological features regardless of size or, presumably, age, we are forced to conclude that they are taxonomically valid characters that differentiate it from its closest relatives. For reference, its closest relatives have been consistently shown to be Triceratops and Nedoceratops. Whereas skulls attributed to Triceratops are far more numerous and individualized, those recognized as Torosaurus are much more uniform (ANSP 15192 does differ significantly in the length of the frill and size of the postorbital horns, but this may be an age-related character). While there is obviously a sampling bias at work here, it is instructive to list characters shared by the best-known specimens of Torosaurus latus—ANSP 15192, MOR 1122, YPM 1830, and YPM 1831:

1) Relatively small, upwardly-directed nasal horn that is triangular and develops about halfway up the snout. The horn never grows into the impressive forward-pointing thick horn you see in many Triceratops skulls.

2) An elongate, shallow rostrum anterior to the nasal horn. There is a clear height differentiation between this region and the dorsal margin of the skull behind the nasal horn in the adult stage. This may be termed a “stepped-up” condition.

3) An elongate nasal passage retained into the adult stage. In Torosaurus, the extent of the nasal system resembles the juvenile condition in Triceratops. In that taxon, however, the nasal passage compresses and rounds out as the subadult and adult stages are reached. Torosaurus, by contrast, retains an elongate nasal passage.

4) Blade-like squamosals which remain distinct from the parietal even in the adult stage.

5) An elongate frill that is “swept back” rather than “swept up,” is relatively flat and broad, and contains large parietal fenestrae. In adults, the margins of the frill may be almost completely smooth due to the absorption of the epioccipitals.

Before we go too much farther into Torosaurus, let’s turn our attention to Triceratops. In fact, let’s go back to Forster’s paper regarding species diversity in that genus. She references two individual specimens as models for the two species of Triceratops: YPM 1822 for T. prorsus and SDSM 2760 for T. horridus. I note that the latter displays several features in common with Torosaurus, including the structure of the snout and nasal horn (though not to the same extent), and possibly the structure of the squamosals. It also seems to lack distinct epioccipitals, and the frill is broader than its sister species, T. prorsus. That species, represented by YPM 1822, shows very different features: the nasal horn is large and directed forward, the rostrum in front of the nasal horn is short and deep, and the nasal area is rounded. The epoccipitals are fairly large and triangular.

Neither skull displays a singular suite of ontologic characters consistent with any one growth stage according to Horner & Goodwin. In SDSM 2760, the morphology of the snout and nasal horn are juvenile characters according to the suggested growth series, whereas the thickness and orientation of the brow horns, as well as the loss of epioccipitals, are indicative of adult status. By contrast, YPM 1822 shows a clearly adult snout and nasal horn, but the ends of the brow horns point a bit upwards (a subadult trait) and the frill retains distinct, fairly large epioccipitals (a juvenile or subadult trait). Are these isolated incidents? I’m afraid not. Just ask John Hatcher. In 1903, he included several beautiful illustrations of skulls attributed to Triceratops in his wonderful monograph on the horned dinosaurs. Exactly none of them conform to the Horner & Goodwin growth series to a "T." Going forward, where I reference "juvenile," "subadult," and "adult" features, I'm talking about those ontogenetic stages as defined in Horner & Goodwin 2006.




This is USNM 2100, identified by Hatcher as Triceratops prorsus(?). Although the anterior portion of the snout is missing, one may notice the underdeveloped nasal horn (juvenile-subadult), low-angled brow horns (adult) with sloped tips (subadult), and small but distinctive epioccipitals (subadult). The parietal bar is interesting in that it’s quite bumpy. Where would USNM 2100 fit on Horner & Goodwin’s growth series?




This is Triceratops brevicornus, ”YPM” 1834. It also shows a curious mix of characters: the nasal horn is distinct and forwardly-directed (adult), but the anterior portion of the snout is quite long (subadult). The brow horns are directed forward (adult) and are unusually short. The parietal-squamosal suture appears to be lost (adult), but the epoccipitals are reasonably distinct and not entirely rounded (subadult). Where would YPM 1834 fit on Horner & Goodwin’s growth series?




This is Triceratops elatus, USNM 1201. It also displays some curious features. The nasal horn’s growth seems to have stalled: the underlying nasal is indeed reaching forward (subadult), but the epinasal is still apparent (juvenile). The brow horns are large and directed forward (adult). The frill’s margins are bumpy—the epoccipitals have largely been absorbed (adult). Notice the distinct upward bend to the squamosals. While it gives the bones a superficially onion-knife appearance, the parietal curves distinctly upward rather than being directed back. Where would USNM 1201 fit on Horner & Goodwin’s growth curve?




Then there’s this famously odd duck: USNM 2412, Nedoceratops hatcheri. The nasal horn isn’t really a horn so much as a bump in the road, giving the snout a very pronounced “stepped-up” profile. The brow horns are quite large and directed almost straight upward. The frill is riddled with accessory fenestrae, some of which are probably the result of pathologic or natural re-absorption. The skull retains distinct epioccipitals, and the squamosal has a bizarre shape. Nedoceratops may be too much of a wildcard to include in this analysis, but Scannella & Horner consider it to be a transitional form that would exist between MOR 004 and Torosaurus latus. But what happened to the nasal and brow horns? Where did all these accessory fenestrae come from? Surely, Nedoceratops is either an incredibly abarrant individual or a distinct taxon, and will not be considered further here.




This is where things start getting interesting. This is Triceratops calicornis, USNM 4928, and it displays a lot of features that I listed for Torosaurus latus, above. In other words, its morphology conforms nicely to known morphologies that are consistent across currently-recognized specimens of Torosaurus. These include: a small, upwardly-directed nasal horn that is roughly halfway down the snout; a stepped-up snout profile with an elongate anterior portion; an elongate nasal passage; and squamosals that are onion-knife shaped. Most of the epoccipitals are completely re-absorbed. There is one distinct epoccipital capping the parietal-squamosal contact, and half of one above it. The parietal was not preserved in USNM 4928—it may have been fenestrated.



AMNH 5116 (top) compared to YPM 1830 (bottom). The overall similarities are striking.

Based on these proposed characters, I could make an argument that the most famous, well-known specimen of Triceratops in the world—AMNH 5116—is actually a Torosaurus. It has a short, upwardly-directed nasal horn, an elongate rostrum anterior to the nasal horn, an elongate nasal passage, onion-knife shaped squamosals, and a lack of epioccipitals. Like USNM 4928, it was also missing portions of its parietal, although major portions were apparently recovered and plastered back on. The beast was restored with a solid frill (maybe it had one), the assumption being that this is Triceratops. However, when you take the parietal out of the equation, AMNH 5116 is strikingly similar to Torosaurus skulls, particularly YPM 1830. Sorry about the lack of fenestrae in the illustration for YPM 1830—I just now noticed that they’re not there. *facepalm*
MNHN 1912.20, housed in Paris, is strikingly similar to USNM 4928, although its “Torosaurus” features are even more obvious: the snout has a more pronounced “step-up,” the nasal horn is small and retains the epinasal. The anterior portion of the snout is elongate, as is the nasal passage. The frill is elongate and broad. Epoccipitals are nearly absent, and the squamosals are onion-knife shaped. Like AMNH 5116, the frill of MNHN 1912.20 has been heavily restored, although exactly how much of the parietal was “touched up” is not specified in this skull’s description (Goussard, 2006). It may very well be that MNHN 1912.20 is a Torosaurus skull.



AMNH 5116 (top) compared to MNHN 1912.20. Again, note the many similarities.

Go back and look at the growth series picture at the top of the post. Diagonally from top to bottom, this is Horner & Goodwin’s proposal for ontogenetic change in Triceratops from small juvenile (MOR 1199) to adult (MOR 004). If Torosaurus latus were to follow MOR 004, the underlying geometry of the frill would have to change radically, the snout would significantly elongate, and the nasal horn would regress to an earlier developmental stage. Additionally, two giant holes would suddenly open up in the parietal! Scannella & Horner expect us to believe that all of these large-scale changes would happen in the dinosaur’s final years, and in stark contrast to the direction of growth that Triceratops had been experiencing up to that point. No other ceratopsian goes through this sort of late-stage transformation, and there is no reason to think that Triceratops is any different. Additionally, as pointed out by many readers, the rarity of “fully adult” individuals of Triceratops (Torosaurus) compared to the incredible abundance of earlier growth stages is a bizarre and unrealistic preservation bias that does not occur in other fossil animals. If anything, the opposite tends to be true: juvenile and subadults are rare while adults and “full adults” are more common. That is certainly the case in other ceratopsids, even among bonebeds. The bottom line is this: assuming the Horner & Goodwin growth series is generally accurate, YPM 1830 and MOR 1122 would NOT follow MOR 004. It really is that simple.

However, Torosaurus material might not be nearly as rare as everyone seems to think. I believe that the genus can be distinguished based on more than just the presence or absence of parietal fenestrae. It’s possible that specimens once referred to as Triceratops are, in fact, Torosaurus. If nothing else, I hope this post has convinced some of you out there in Readerland that the Scannella & Horner paper presents interesting ideas but serious flaws as well, and needs to be given a second look.

I offer an enormous, Pentaceratops-skull-sized thanks to Andrew Farke for taking the time to double-check my claims and correct others. Readers, notice that I don’t really talk about histeology or stratigraphy. This is largely because I am ill-informed to do so intelligently. I do think that Torosaurus is morphologically distinct from Triceratops based on skull anatomy alone, however, so those factors may not necessarily play a part. On the point of stratigraphy, however, I do wonder whether T. prorsus or T. horridus is older, and whether the similarities between the latter and Torosaurus may represent a close relationship. That is, perhaps T. horridus is closer to the common ancestor of Triceratops and Torosaurus, and that Triceratops prorsus is derived, anagenetically or otherwise, from T. horridus?

Saturday, August 21, 2010

Toroceratops Part 2 Teaser


I'll be revisiting the Toroceratops theory again soon, because I'm a glutton for punishment. I believe I've found a good way to distinguish Triceratops from Torosaurus without relying on parietal fenestrae, although frill morphology does come into play. I'm just making the text sound good, and make sure my argument is sound before I post the whole thing (it's a whopper). Anyway, here's an illustration of AMNH 1201, simplified from Hatcher (1903). It displays a unique combination of juvenile and adult traits, as do many specimens of Triceratops.

Stay tuned...

Saturday, August 14, 2010

Breaking: Mosasaurs Are Awesome


This is Platecarpus tympaniticus, and yes, it has a caudal fluke. Confused? I recommend clicking this link for the answers to all your questions.

Thursday, June 17, 2010

Experimenting


If I ever wrote a fanfic (and I'm not saying I will), it would be about the Teenage Mutant Ninja Turtles, although they wouldn't be teenagers any more. They'd be middle-aged, living separate lives. Donatello (above) would found a successful tech engineering firm, specializing in cybernetics. I have ideas for all four turtles, and as I come up with designs for each one, I'll post them here. Do you readers like the simplified head? Does it still read as a Ninja Turtle?

Look! It's Diabloceratops!


Gotta wonder how well he plays the fiddle.

Friday, May 21, 2010

A Phylogenetic Inferrence Too Far?


I tip my hat once again to the incomparible Lukas Panzarin, who I think is the most talented paleo-artist working today. I don't particularly like the fact that he's been commissioned to basically make up McDonald et al.'s new duckbill, Jeyawati, from the new issue of JVP. Look at the known bones. Look at all the unknown bones. I feel like we've got another Masiakasaurus here. Phylogenetic inferrence is great, but it's being taken to an unfortunate extreme here. This reconstruction is just begging to be falsified.

However, I must once again stress that I LOVE Lukas' work.

Saturday, May 08, 2010

Oviraptor Sketch


Ever since I started my new job, I've felt like I never have any spare time. I've learned to treasure weekends and Friday nights because of this. Last night, while my wife was chatting with a friend, I whipped up this general oviraptor sketch. It may warrant further tinkering, inking, and coloring next time I find myself with free time. The picture is somewhat inspired by Andrea Cau's recent discussion on oviraptor beaks and how far up the skull they extended.


Also, progress! Summer is coming along nicely, although it still hasn't hit 60 degrees yet. Buds are just now appearing on the trees.


There's a whole new world for Ozzie to sniff.

Thursday, March 25, 2010

The Antiquity of Pachyrhinosaurus

For those of you relatively unfamiliar with ceratopsian dinosaurs, Pachyrhinosaurus may be an unfamiliar name. It's one of my favorite dinosaurs, partially because it's one of Alaska's Mesozoic saurians. It's also just plain wierd--instead of horns, Pachyrhinosaurus has a bony boss, like that of a musk ox or bison, except over its nose instead of its forehead. There are two known species: Pachyrhinosaurus lakustai is the better-known of the two and is represented by hundreds of bones and dozens of individuals. It was only recently named and described, in 2008. This is what it looks like, more or less:


Notice the spikes and bosses. This was a strange-looking ceratopsian, fo' reel, yo. But it's the second species named. The first species--and the genus--was named back in 1950 by Charles Sternberg. It is Pachyrhinosaurus canadensis, and our man Charles named a whole new family based on the holotype skull, since as he could not easily fit it into the Chasmosaurinae or Centrosaurinae,* so he erected the Pachyrhinosauridae for his new critter. P. canadensis actually doesn't look too horribly different from P. lakustai, but Sternberg was working with a partial skull and didn't really know what to make of this hornless wonder. So he crafted a 1/6th scale clay model for all to see, shown below:


It looks like a Protoceratops with a handy plate to put your drink on its nose. It's also smiling. Still, this is important: here we have the first life restoration--crude though it may be--of this most bizarre ceratopsid dinosaur. I very much like Sternberg's description of the beast:

"The specialized development, the large massive head and the great thickness of bone is suggestive of the freakish development that took place among some of the dinosaurs near the very close of the Cretaceous, about Lance time."

Well put, Charles, well put. You didn't know the half of it....

*Back then, the Ceratopsia was a sub-order, divided into two familiest: Chasmosauridae and Centrosauridae, so Sternberg erected a third family. Today, we recognize the Ceratopsidae as a family, with the Chasmosaurinae and Centrosaurinae as sub-families. Sternberg's Pachyrhinosaurus-centric group still exists, however, as the Pachyrhinosaurini, which includes both species of Pachyrhinosaurus and Achelousaurus.

Friday, March 12, 2010

Awesome "New" Blog

I don't understand how I missed this blog for so long. Brett Booth, a longtime favorite paleoartist of mine, has his own art blog. GAH! Check it out, folks!

TEH_AWESOME!!!

Sunday, February 28, 2010

Therizinosaur Update


Look! Nothronychus! The only way I was able to make this animal look in any way reasonable, I took a few liberties with its design. First, it's got big legs. Why? Because when they were any slimmer, they ended up looking silly. Note also that he's got more sauropod-esque feet, what with those big dermal pads under the metatarsals. I've also given him a light covering of "quills" down the back. I imagine him flaring his quills to intimidate predators. If I have time today (I actually don't), I may draw Falcarius in a threat display.

Gonna color him later tonight, just in time for the Art Evolved show tomorrow!